email: brian_curtis@mac.com
Brian Curtis,artist,painting,oil painting,narrative painting,drawing,narrative drawing,charcoal drawing,digital imaging,narrative digital images,oil pastel on paper,drawing from observation,introductory perceptual drawing,introductory perceptual drawing text,drawing text,how to draw,observational drawing,renaissance drawing,observational drawing,drawing what you see, drawing essentials,drawing technique,drawing mechanics.drawing materials,intuitive gesture,intuitive perspective,clock angle,clock angle drawing tool,positive/negative shape,perceptual grid,x/y axes,Mondrian Grid,Mondrian tool,alberti's veil,gesture drawing, extended gesture drawing, proportion,Golden Mean, Sacred Geometry,Golden rectangle,Pythagoras,Phidias,Great Pyramid of cheops,Stonehenge,Solomon's temple,pentagram,mandelbrot set,cross-contour,cross contour,atmospherice perspective,flag drawings,foreshortened circles,circles in perspective,ellipses,cirkutcamera,imaginary birdhouses,biomorphic form,schema,tree drawings,chiaroscuro,continuous-tone,continuous tone drawing,Akhenaton,Mach bands,simultaneous contrast,visual field,visual world,linear perspective,scientific perspective,monocular cues,alternative perspectives,one-point perspective,two-point perspective,three-point perspective,fixation point,brunelleschi,vanishing point,picture plane,cone of vision,birds-eye perspective,composition,gestalt principles,principles and elements,symmetry,picture plane dynamics,visual power of proximity,emphasis by contrast,emphasis by isolation,visual weight of depth,rule of thirds,rule of odds,thumbnails,viewing frames,drwing assignments,asymmetry,fibonacci sequence,he parthenon,brian curtis resume,artist statement,figurative painting,figurative drawing,observational drawing,conference presentations,CAA conference presentations, F.A.T.E. Conference presentations,SECA conference presentations,MACAA conference presentations,n'art
The movie below represents the PowerPoint that accompanied my lecture on Duchamp's Legacy during the FATE panel at the 2011 CAA. It was not intended to illustrate the paper on the previous page but rather as a parallel visual narrative.